THE 虎舞竜-ヨコハマ・レイニーナイト

Tengo poco espacio en disco en la lap del trabajo y vendí mi iPod en Diciembre, entonces música no es lo que me sobra, y pues necesito estar oyendo música todo el día, si no mi déficit de atención se pone muy grave.

Mientras que por el año de 1993 lo que pegaba en la radio en México era mucho pop de producción casera, por allá en "los japones" sonaba ésta canción sobre Yokohama, una ciudad y un puerto muy importante en la historia de pueblo nipón, un lugar donde se tenía contacto con el exterior durante el Shogunato y donde hay muchos extranjeros.

music música japonés japanese ongaku

Yui en Thank you my teens

Lo prometido es deuda
Pongan atención al Thank you
Si le notan algo raro ya están en el mundo del Engrish

yui thank+you+my+teens music música videos rolas mujeres chicas asiáticas ongaku

Modo "super standards" para IE 8

La última vez que hablamos de IE8 estábamos comentando como había pasado el test Acid 2, aunque con una pequeña trampa, que era el modo de estándares. Checando el Blog de IE

In Dean’s recent Internet Explorer 8 and Acid2: A Milestone post, he highlighted our responsibility to deliver both interoperability (web pages working well across different browsers) and backwards compatibility (web pages working well across different versions of IE). We need to do both, so that IE8 continues to work with the billions of pages on the web today that already work in IE6 and IE7 but also makes the development of the next billion pages (in an interoperable way) much easier. Continuing Dean’s theme, I’d like to talk about some steps we are taking in IE8 to achieve these goals.

Ahora sabemos que no será uno, si no tres los modos de la próxima versión de Internet Explorer.

Habrá incluso un modo Super standards que los usuarios podrán elegir, con estos tres modos se pretende mantener la compatibilidad con las páginas actuales, las más viejas y las futuras.

Windows Vista es la mayor muestra que que el interes de Microsoft por mantener la compatibilidad lo más que se pueda no siempre les surte efecto.

I’ve been on the IE team for over a decade, and I’ve seen us apply the “Don’t Break the Web” rule in six different major versions of IE in different ways. In IE 6, we used the DOCTYPE switch to enable different “modes” of behavior to protect compatibility. When we released IE 6 in 2001, very few pages on the web were in “standards mode” (my team ran a report on the top 200 web sites at the time that reported less than 1%) – few people knew what a DOCTYPE was, and few tools generated them. We used the DOCTYPE switch in IE6 to change the box model to comply with the standards and enable developers to opt-in to the new behavior. We’d already seen so much content written to IE5.x’s non-standard interpretation of the CSS2 spec that we couldn’t change it without causing a slew of problems.

Ya hemos hablado de que muchas páginas que solo se ven bien o como el creador quiere en Internet explorers son producto del poco respeto que tienen por los estándares, pero el lider del desarrollo dice que ellos siguen la regla de "NO ROMPER LA WEB" y el problema es que muchas páginas dejarían de verse bien si el navegador siguiera todos los estándares.

Entonces tendremos un tercer modo, yo preferiría romper con el pasado y que las páginas modernas contaran con el atributo nuevo de IE y que se fueran actualizando y que las viejas quedaran en desus o usando versiones antiguas del software.

software browsers download internet internet+explorer navegadores firefox blogs

Los Nominados al Oscar

Performance by an actor in a leading role
George Clooney in "Michael Clayton" (Warner Bros.)
Daniel Day-Lewis in "There Will Be Blood" (Paramount Vantage and Miramax)
Johnny Depp in "Sweeney Todd The Demon Barber of Fleet Street" (DreamWorks and Warner Bros., Distributed by DreamWorks/Paramount)
Tommy Lee Jones in "In the Valley of Elah" (Warner Independent)
Viggo Mortensen in "Eastern Promises" (Focus Features)

Performance by an actor in a supporting role
Casey Affleck in "The Assassination of Jesse James by the Coward Robert Ford" (Warner Bros.)
Javier Bardem in "No Country for Old Men" (Miramax and Paramount Vantage)
Philip Seymour Hoffman in "Charlie Wilson's War" (Universal)
Hal Holbrook in "Into the Wild" (Paramount Vantage and River Road Entertainment)
Tom Wilkinson in "Michael Clayton" (Warner Bros.)

Performance by an actress in a leading role
Cate Blanchett in "Elizabeth: The Golden Age" (Universal)
Julie Christie in "Away from Her" (Lionsgate)
Marion Cotillard in "La Vie en Rose" (Picturehouse)
Laura Linney in "The Savages" (Fox Searchlight)
Ellen Page in "Juno" (Fox Searchlight)

Performance by an actress in a supporting role
Cate Blanchett in "I'm Not There" (The Weinstein Company)
Ruby Dee in "American Gangster" (Universal)
Saoirse Ronan in "Atonement" (Focus Features)
Amy Ryan in "Gone Baby Gone" (Miramax)
Tilda Swinton in "Michael Clayton" (Warner Bros.)

Best animated feature film of the year
"Persepolis" (Sony Pictures Classics): Marjane Satrapi and Vincent Paronnaud
"Ratatouille" (Walt Disney): Brad Bird
"Surf's Up" (Sony Pictures Releasing): Ash Brannon and Chris Buck

Achievement in art direction
"American Gangster" (Universal): Art Direction: Arthur Max; Set Decoration: Beth A. Rubino
"Atonement" (Focus Features): Art Direction: Sarah Greenwood; Set Decoration: Katie Spencer
"The Golden Compass" (New Line in association with Ingenious Film Partners): Art Direction: Dennis Gassner; Set Decoration: Anna Pinnock
"Sweeney Todd The Demon Barber of Fleet Street" (DreamWorks and Warner Bros., Distributed by DreamWorks/Paramount): Art Direction: Dante Ferretti; Set Decoration: Francesca Lo Schiavo
"There Will Be Blood" (Paramount Vantage and Miramax): Art Direction: Jack Fisk; Set Decoration: Jim Erickson

Achievement in cinematography
"The Assassination of Jesse James by the Coward Robert Ford" (Warner Bros.): Roger Deakins
"Atonement" (Focus Features): Seamus McGarvey
"The Diving Bell and the Butterfly" (Miramax/Pathé Renn): Janusz Kaminski
"No Country for Old Men" (Miramax and Paramount Vantage): Roger Deakins
"There Will Be Blood" (Paramount Vantage and Miramax): Robert Elswit

Achievement in costume design
"Across the Universe" (Sony Pictures Releasing) Albert Wolsky
"Atonement" (Focus Features) Jacqueline Durran
"Elizabeth: The Golden Age" (Universal) Alexandra Byrne
"La Vie en Rose" (Picturehouse) Marit Allen
"Sweeney Todd The Demon Barber of Fleet Street" (DreamWorks and Warner Bros., Distributed by DreamWorks/Paramount) Colleen Atwood

Achievement in directing
"The Diving Bell and the Butterfly" (Miramax/Pathé Renn), Julian Schnabel
"Juno" (Fox Searchlight), Jason Reitman
"Michael Clayton" (Warner Bros.), Tony Gilroy
"No Country for Old Men" (Miramax and Paramount Vantage), Joel Coen and Ethan Coen
"There Will Be Blood" (Paramount Vantage and Miramax), Paul Thomas Anderson

Best documentary feature
"No End in Sight" (Magnolia Pictures) A Representational Pictures Production: Charles Ferguson and Audrey Marrs
"Operation Homecoming: Writing the Wartime Experience" (The Documentary Group) A Documentary Group Production: Richard E. Robbins
"Sicko" (Lionsgate and The Weinstein Company) A Dog Eat Dog Films Production: Michael Moore and Meghan O'Hara
"Taxi to the Dark Side" (THINKFilm) An X-Ray Production: Alex Gibney and Eva Orner
"War/Dance" (THINKFilm) A Shine Global and Fine Films Production: Andrea Nix Fine and Sean Fine

Best documentary short subject
"Freeheld" A Lieutenant Films Production: Cynthia Wade and Vanessa Roth
"La Corona (The Crown)" A Runaway Films and Vega Films Production: Amanda Micheli and Isabel Vega
"Salim Baba" A Ropa Vieja Films and Paradox Smoke Production: Tim Sternberg and Francisco Bello
"Sari's Mother" (Cinema Guild) A Daylight Factory Production: James Longley

Achievement in film editing
"The Bourne Ultimatum" (Universal): Christopher Rouse
"The Diving Bell and the Butterfly" (Miramax/Pathé Renn): Juliette Welfling
"Into the Wild" (Paramount Vantage and River Road Entertainment): Jay Cassidy
"No Country for Old Men" (Miramax and Paramount Vantage) Roderick Jaynes
"There Will Be Blood" (Paramount Vantage and Miramax): Dylan Tichenor

Best foreign language film of the year
"Beaufort" Israel
"The Counterfeiters" Austria
"Katyn" Poland
"Mongol" Kazakhstan
"12" Russia

Achievement in makeup
"La Vie en Rose" (Picturehouse) Didier Lavergne and Jan Archibald
"Norbit" (DreamWorks, Distributed by Paramount): Rick Baker and Kazuhiro Tsuji
"Pirates of the Caribbean: At World's End" (Walt Disney): Ve Neill and Martin Samuel

Achievement in music written for motion pictures (Original score)
"Atonement" (Focus Features) Dario Marianelli
"The Kite Runner" (DreamWorks, Sidney Kimmel Entertainment and Participant Productions, Distributed by Paramount Classics): Alberto Iglesias
"Michael Clayton" (Warner Bros.) James Newton Howard
"Ratatouille" (Walt Disney) Michael Giacchino
"3:10 to Yuma" (Lionsgate) Marco Beltrami

Achievement in music written for motion pictures (Original song)
"Falling Slowly" from "Once" (Fox Searchlight) Music and Lyric by Glen Hansard and: Marketa Irglova
"Happy Working Song" from "Enchanted" (Walt Disney): Music by Alan Menken; Lyric by Stephen Schwartz
"Raise It Up" from "August Rush" (Warner Bros.): Nominees to be determined
"So Close" from "Enchanted" (Walt Disney): Music by Alan Menken; Lyric by Stephen Schwartz
"That's How You Know" from "Enchanted" (Walt Disney): Music by Alan Menken; Lyric by Stephen Schwartz

Best motion picture of the year
"Atonement" (Focus Features) A Working Title Production: Tim Bevan, Eric Fellner and Paul Webster, Producers
"Juno" (Fox Searchlight) A Dancing Elk Pictures, LLC Production: Lianne Halfon, Mason Novick and Russell Smith, Producers
"Michael Clayton" (Warner Bros.) A Clayton Productions, LLC Production: Sydney Pollack, Jennifer Fox and Kerry Orent, Producers
"No Country for Old Men" (Miramax and Paramount Vantage) A Scott Rudin/Mike Zoss Production: Scott Rudin, Ethan Coen and Joel Coen, Producers
"There Will Be Blood" (Paramount Vantage and Miramax) A JoAnne Sellar/Ghoulardi Film Company Production: JoAnne Sellar, Paul Thomas Anderson and Daniel Lupi, Producers

Best animated short film
"I Met the Walrus" A Kids & Explosions Production: Josh Raskin
"Madame Tutli-Putli" (National Film Board of Canada) A National Film Board of Canada Production Chris Lavis and Maciek Szczerbowski "Même Les Pigeons Vont au Paradis (Even Pigeons Go to Heaven)" (Premium Films) A BUF Compagnie Production Samuel Tourneux and Simon Vanesse
"My Love (Moya Lyubov)" (Channel One Russia) A Dago-Film Studio, Channel One Russia and Dentsu Tec Production Alexander Petrov
"Peter & the Wolf" (BreakThru Films) A BreakThru Films/Se-ma-for Studios Production Suzie Templeton and Hugh Welchman

Best live action short film
"At Night" A Zentropa Entertainments 10 Production: Christian E. Christiansen and Louise Vesth
"Il Supplente (The Substitute)" (Sky Cinema Italia) A Frame by Frame Italia Production: Andrea Jublin
"Le Mozart des Pickpockets (The Mozart of Pickpockets)" (Premium Films) A Karé Production: Philippe Pollet-Villard
"Tanghi Argentini" (Premium Films) An Another Dimension of an Idea Production: Guido Thys and Anja Daelemans
"The Tonto Woman" A Knucklehead, Little Mo and Rose Hackney Barber Production: Daniel Barber and Matthew Brown

Achievement in sound editing
"The Bourne Ultimatum" (Universal): Karen Baker Landers and Per Hallberg
"No Country for Old Men" (Miramax and Paramount Vantage): Skip Lievsay
"Ratatouille" (Walt Disney): Randy Thom and Michael Silvers
"There Will Be Blood" (Paramount Vantage and Miramax): Matthew Wood
"Transformers" (DreamWorks and Paramount in association with Hasbro): Ethan Van der Ryn and Mike Hopkins

Achievement in sound mixing
"The Bourne Ultimatum" (Universal) Scott Millan, David Parker and Kirk Francis
"No Country for Old Men" (Miramax and Paramount Vantage): Skip Lievsay, Craig Berkey, Greg Orloff and Peter Kurland
"Ratatouille" (Walt Disney): Randy Thom, Michael Semanick and Doc Kane
"3:10 to Yuma" (Lionsgate): Paul Massey, David Giammarco and Jim Stuebe
"Transformers" (DreamWorks and Paramount in association with Hasbro): Kevin O'Connell, Greg P. Russell and Peter J. Devlin

Achievement in visual effects
"The Golden Compass" (New Line in association with Ingenious Film Partners): Michael Fink, Bill Westenhofer, Ben Morris and Trevor Wood
"Pirates of the Caribbean: At World's End" (Walt Disney): John Knoll, Hal Hickel, Charles Gibson and John Frazier
"Transformers" (DreamWorks and Paramount in association with Hasbro): Scott Farrar, Scott Benza, Russell Earl and John Frazier

Adapted screenplay
"Atonement" (Focus Features), Screenplay by Christopher Hampton
"Away from Her" (Lionsgate), Written by Sarah Polley
"The Diving Bell and the Butterfly" (Miramax/Pathé Renn), Screenplay by Ronald Harwood
"No Country for Old Men" (Miramax and Paramount Vantage), Written for the screen by Joel Coen & Ethan Coen
"There Will Be Blood" (Paramount Vantage and Miramax), Written for the screen by Paul Thomas Anderson

Original screenplay
"Juno" (Fox Searchlight), Written by Diablo Cody
"Lars and the Real Girl" (MGM), Written by Nancy Oliver
"Michael Clayton" (Warner Bros.), Written by Tony Gilroy
"Ratatouille" (Walt Disney), Screenplay by Brad Bird; Story by Jan Pinkava, Jim Capobianco, Brad Bird
"The Savages" (Fox Searchlight), Written by Tamara Jenkins

academy awards academy+awards cine movies películaspremios Oscar nominados nominacionesnominaciones+oscar 2008nominaciones al oscaroscar 2008

Einstein dixit

The most important human endeavor is the striving for morality in our actions. Our inner balance and even our very existence depend on it. Only morality in our actions can give beauty and dignity to life.

quotes citas Einstein Albert+Einstein

OMG

Este blog se ha mantenido libre de fotos de chicas por más de 90 posts, pero hoy no pude evitarlo

chicas mujeres mulheres nenas mamis babes bellezas fotos photos 2008 asian beauties azn+galsgals hermosas

Las bolsas siguen cayendo

La cara de este hombre lo dice todo.

La crisis hipotecaria de los Estados Unidos aunada al estupido gasto de los ultimos siete años en guerras que no se pueden ganar nos tiene a todos conun panorama terrible.

El día de hoy las bolsas de este lado del mundo cayeron y las bolsas asiáticas están cayendo del mismo modo, el asunto es que ésta es una recesión que ya se veía venir, mientras que el estúpido George W. Bush seguía esperando que las cosas se resolvieran solos.

En los Estados Unidos esta semana se develaran algunas "soluciones" para los más afectados por la crisis, pero si Estados Unidos entra en recesión a todos nos lleva "entre las patas", aca en México algunas tiendas van a mantener los precios bajos hasta marzo, las expectativas de crecimiento ya se han tenido que revisar.

world nikkei dow+jones nasdaq money mundo noticias stock+exchange

¿cómo recordara la historia estos 8 años de W. Bush?

El tipo es un inepto, alcohólico, maniaco, ignorante y con delirios de grandeza que llego en medio de un fraude y hundió a los Estados Unidos (y se aseguro de quitarle la posición dominante )

¿eh?

yo tampoc lo entiendo
Solo un post tiene kanjis y sin embargo la publicidad contextual ha enloquecido
¿que pasaría si hablara de Britney, sus hijos, su hermana embarazada, su paparazzi y su rompimiento?
¿qué pondría?